The Saints
Paul Pfeiffer
Paul Pfeiffer
The Saints, 2007
Installation with 17-channel sound, two-channel video projection (b/w, color, sound), single-channel video on monitor in cast plastic armature (b/w, sound)
32 min 47 sec (videos) 6.4 x 7.6 x 8.9 cm (monitor) Overall dimensions variable
Commissioned by Artangel, London with Outset Contemporary Art Fund; co-produced with the Ellipse Foundation
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: The Saints, Technische Universität Wien – TU Wien | Prechtlsaal, Vienna, Austria, 2008
Photo: Michael Strasser | © Bildrecht, Vienna, (current year)
Paul Pfeiffer
The Saints, 2007
Installation with 17-channel sound, two-channel video projection (b/w, color, sound), single-channel video on monitor in cast plastic armature (b/w, sound)
32 min 47 sec (videos) 6.4 x 7.6 x 8.9 cm (monitor) Overall dimensions variable
Commissioned by Artangel, London with Outset Contemporary Art Fund; co-produced with the Ellipse Foundation
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: The Saints, Technische Universität Wien – TU Wien | Prechtlsaal, Vienna, Austria, 2008
Photo: Michael Strasser | © Bildrecht, Vienna, (current year)
- Fecha
- 2007
- Medio
- Installation with 17-channel sound, two-channel video projection (b/w, sound), single-channel video on monitor in cast plastic armature (b/w, sound)
- Dimensión
- 32 min 37 sec (sound and videos) 6.4 x 7.6 x 8.9 cm (monitor) Overall dimensions variable
- Crédito
Commissioned by Artangel, London with Outset Contemporary Art Fund. Co-produced with the Ellipse Foundation
TBA21 Thyssen-Bornemisza Art Contemporary Collection- Esta obra de arte forma parte de la donación y el préstamo a largo plazo de TBA21 al Museo Nacional Thyssen-Bornemisza.
Detalles
The 1966 World Cup Final between England and West Germany, a game loaded with historical and cultural significance and played at London's old Wembley stadium, provides the setting for Paul Pfeiffer’s The Saints. An installation of great simplicity rendered through tremendous technical complexity, it interweaves original film and sound footage of the 1966 final with a contemporary reconstruction of the game's soundtrack performed by a crowd of young Filipinos in a Manila theatre. This new crowd, entirely dislocated from the central focus of Pfeiffer's installation, serves to demonstrate the universality of fanatic, collective identification, and the transferability of pop-cultural motifs across temporal and geographic borders.
The Saints was first shown in London by Artangel in autumn 2007 in an empty warehouse yards from the new Wembley stadium. Several months later, in summer 2008, it was presented in Vienna by Thyssen-Bornemisza Art Contemporary during the European Football Championships hosted by Austria and Switzerland.