Untitled
Cerith Wyn Evans
Cerith Wyn Evans
Untitled, 2008
Fluorescent tubes, metal, wood
550 x 53.3 x 53.3 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Pasajes, Viajes por el híper-espacio, LABoral Centro de Arte y Creación Industrial, Gijón, 2010-2011
Photo: Reto Guntli
Cerith Wyn Evans
Untitled, 2008
Fluorescent tubes, metal, wood
550 x 53.5 x 53.5 cm
Overall dimensions variable
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Cerith Wyn Evans – The What If?... Scenario (after LG), Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2013
Photo: Jens Ziehe | TBA21
- Date
- 2008
- Medium
- Fluorescent tubes, metal, wood
- Dimension
- 550 x 53.3 x 53.3 cm Overall dimensions variable
- Credit
TBA21 Thyssen-Bornemisza Art Contemporary Collection
- This artwork is part of the donation and long-term loan from TBA21 to the Museo Nacional Thyssen-Bornemisza.
Details
The classic structure and architectural quality of these four site-specific light sculptures evokes the columns of antique Greek temples. The series of light columns, constructed from house-hold fluorescent tubes, represents a kind of neo(n)-classicism if one will. Like a Las Vegas version of classically proportioned columns, these structures radiate so much light and heat, one can almost imagine them breathing. The overwhelming amount of light somehow erases any notion of space or time. Instead, one is immersed in a sort of ethereal environment that suggests a dreamlike state, an entry point into a new dimension, which emphasizes the narrative quality of our human condition. This is a characteristic of many works by Wyn Evans, who is also known for his transposing quotes and literary excerpts, by fiction writers, philosophers, artists or film makers, into Morse code, relayed by military searchlights or monumental chandeliers. As with literary or philosophical quotes, the artist also freely borrows from other artists, opening up a whole narrative and aesthetic new dimension.
(Text written by TBA21 and used as wall label in the exhibition "Passages. Travel is in Hyperspace", LABoral, Gijon, 2010)