Venus Mirrors (05.06.2012, Hawaii and Tahiti (Inverted))
Simon Starling
Simon Starling
Venus Mirrors (05/06/12, Hawaii & Tahiti (Inverted)), 2012
Two drilled 600 mm telescope mirrors, stands
175 x 50 x 50 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Simon Starling | Superflex: Reprototypes, Triangulations and Road Tests, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2012
Photo: Jens Ziehe | TBA21 | © VEGAP, Madrid, 2026
Simon Starling
Venus Mirrors (05/06/12, Hawaii & Tahiti (Inverted)), 2012
Two drilled 600 mm telescope mirrors, stands
175 x 50 x 50 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Simon Starling | Superflex: Reprototypes, Triangulations and Road Tests, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2012
Photo: Jens Ziehe | TBA21 | © VEGAP, Madrid, 2026
Simon Starling
Venus Mirrors (05/06/12, Hawaii & Tahiti (Inverted)), 2012
Two drilled 600 mm telescope mirrors, stands
175 x 50 x 50 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Simon Starling | Superflex: Reprototypes, Triangulations and Road Tests, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2012
Photo: Jens Ziehe | TBA21 | © VEGAP, Madrid, 2026
Simon Starling
Venus Mirrors (05|06|12, Hawaii & Tahiti (Inverted)), 2012
Two drilled 600 mm telescope mirrors, stands
175 x 50 x 50 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Simon Starling in collaboration with Superflex – Reprototypes, Triangulations and Road Tests, Thyssen-Bornemisza Art Contemporary, Vienna, Austria, 2012
Photo: Jakob Polacsek | Courtesy the artist | Galerie neugerriemschneider, Berlin | © VEGAP, Madrid, 2026
- Date
- 2013
- Medium
- Two drilled 600 mm telescope mirrors, stands
- Dimension
- 60 x 60 cm (mirrors) 179.7 x 66 x 56 cm (stands) Overall dimensions variable
- Credit
TBA21 Thyssen-Bornemisza Art Contemporary Collection
- This artwork is part of the donation and long-term loan from TBA21 to the Museo Nacional Thyssen-Bornemisza.
Details
Based on intensive research and experimentation, Simon Starling attempts to link the history of astronomy and cinema with modernity and globalization. Conceived as part of an ongoing work concerned with the beginnings of moving image technology and its relationship to astronomy, Venus Mirrors (05/06/2012, Hawaii & Tahiti [Inverted]) presents the transit of Venus across the sun as observed in June 2012 from two historically significant observational sites in the Pacific Ocean. The small differences in the position of the transit— as seen when the viewer overlays the reflection of one mirror onto the other—were the basis for huge leaps forward in the understanding of the dimensions of our solar system. For six hours on June 5 or June 6, 2012 (depending on your location on earth) it was possible to observe a small black disc passing across the face of the sun. The transit of Venus—an extremely rare astronomical event, which occurs in pairs eight years apart at intervals of over 100 years, was originally predicted by Johannes Kepler and observed and recorded for the first time by the English astronomer Jeremiah Horrocks in 1639—was once the key to unlocking the architecture of the solar system.
In the first internationally coordinated scientific endeavors, substantial efforts were made in the eighteenth and nineteenth centuries to precisely observe and record the duration and position of the transit from geographically remote locations across the globe. These observations, which included the use of nascent cinematographic techniques, allowed for the first relatively accurate calculations to be made of the so-called astronomical unit—the mean Earth-Sun distance.
(Text written by TBA21 and used as wall label in the exhibition "Abundant Futures", C3A, Córdoba, 2022)