Bowery Nation
Brad Kahlhamer
Brad Kahlhamer
Bowery Nation, 1985-2012
Installation with 100 “kachina doll” figurines and 22 “flying birds” (wood, wire, hair, animal fur, rubber, feathers, nails, tacks, oil paint, acyclic paint, spray paint, cloth, string, jute rope, leather, metal, pencil, bones, sage), saw horses, plywood, rolling table, wooden ladder and benches, prints on paper, painted textile tarp
300 x 730 x 120 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: The artist´s studio, 2013
Photo: Gregory Goode
Brad Kahlhamer
Bowery Nation, 1985-2012
Installation with 100 “kachina doll” figurines and 22 “flying birds” (wood, wire, hair, animal fur, rubber, feathers, nails, tacks, oil paint, acyclic paint, spray paint, cloth, string, jute rope, leather, metal, pencil, bones, sage), saw horses, plywood, rolling table, wooden ladder and benches, prints on paper, painted textile tarp
300 x 730 x 120 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: The artist´s studio, 2013
Photo: Gregory Goode
Brad Kahlhamer
Bowery Nation, 1985-2012
Installation with 100 “kachina doll” figurines and 22 “flying birds” (wood, wire, hair, animal fur, rubber, feathers, nails, tacks, oil paint, acyclic paint, spray paint, cloth, string, jute rope, leather, metal, pencil, bones, sage), saw horses, plywood, rolling table, wooden ladder and benches, prints on paper, painted textile tarp
300 x 730 x 120 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Brad Kahlhamer: Bowery Nation, The Nelson-Atkins Museum of Art, Kansas City, USA, 2013
Photo: Bob Greenspan
Brad Kahlhamer
Bowery Nation, 1985-2012
Installation with 100 “kachina doll” figurines and 22 “flying birds” (wood, wire, hair, animal fur, rubber, feathers, nails, tacks, oil paint, acyclic paint, spray paint, cloth, string, jute rope, leather, metal, pencil, bones, sage), saw horses, plywood, rolling table, wooden ladder and benches, prints on paper, painted textile tarp
300 x 730 x 120 cm
TBA21 Thyssen-Bornemisza Art Contemporary Collection
Installation view: Atopia. Migration, Heritage and Placelessness
Works from the Thyssen-Bornemisza Art Contemporary Collection, Centro Cultural Metropolitano, Quito, Ecuador, 2016
Photo: Sebastián Cruz Roldán & Santiago Pinol
- Date
- 2012
- On Display
- The Bowery: Devil's Mile, New York, USA, 18 September 2026 - 31 January 2027
- Medium
- Installation with 100 “kachina doll” figurines and 22 “flying birds” (wood, wire, hair, animal fur, rubber, feathers, nails, tacks, oil paint, acyclic paint, spray paint, cloth, string, jute rope, leather, metal, pencil, bones, sage), saw horses, plywood, rolling table, wooden ladder and benches, prints on paper, painted textile tarp
- Dimension
- 300 x 730 x 120 cm
- Credit
TBA21 Thyssen-Bornemisza Art Contemporary Collection
- This artwork is part of the donation and long-term loan from TBA21 to the Museo Nacional Thyssen-Bornemisza.
Details
Bowery Nation consists of over 100 small figurative sculptures whose iconography combines Brad Kahlhamer’s Indigenous American roots with scenes from the Bowery in New York City’s Lower East Side.
He has been creating the figurines since 1985, using found materials he discovered on fishing trips to the Hudson River Valley or in local workshops. For twenty-seven years, Kahlhamer continued to create and collect these dolls, before finally bringing them together in 2012 on a large table-like construction. Resembling a powwow float, a celebratory vehicle common in Indigenous ceremonies, the installation presents a myriad of elements pointedly related to Hopi people. The most prominent figure is the katsina doll, a small statuette typically carved out of wood and thought to have a reparative and curative potential. In Bowery Nation, these figures are caught up in Kahlhamer’s syncretism and become a reference to the multicultural milieu of the Bowery: the spiritual dimension of the traditional dolls is hybridized with elements that echo the environment and subcultures of New York in the 1990s. Bowery Nation invites viewers to reconsider the grand narratives that organize identities, cultures, and definitions and opens up a space where history is made up of different temporalities and ideas of land and belonging.
(Text written by TBA21 and used as short text in the booklet of the exhibition "Remedios", C3A, Córdoba, 2023)